Dramaturgy of Sila Dance Hari Ghulur
DOI:
https://doi.org/10.20111/terob.v12i1.18Abstract
This article is a study of Sila Dance by Hari Ghulur using Dramaturgy
approach, namely Socio Dramatic aspect. The theory used in this
article is semiotics theory of Roland Barthes with descriptiveinterpretative method. Sila dance showis understood as art and cultural
document that represent the cultural identity of a society, namely
Madurese society. Madurese context is the basis for this research
because Hari Ghulur comes from Madura. In this case, there is a close
cultural context between the choreographer, dancer, researcher and the
text of Sila show. The result of the analysis in this study isat
denotative meaning level describing dancer identity who is tough and
strong, while at connotative meaning level it represents Madurese
cultural aspect
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